Tuesday, June 6, 2017

Racing Legends LA Times Article


Today the LA Times had an interview with the Creative Director at Mousetrappe behind the Ferrari Experience attractions.  They also posted a few photos of the rides.  The stills aren't from the scenes I worked on, but it's fun to finally see some hi-res images of the actual footage.  Here's a description of the experience from the article:

Racing Legends, Mousetrappe’s other Ferrari Land attraction, combines Universal’s Simpsons simulator ride experience with the test drive conceit of Epcot’s Test Track in Florida. Built by Britain-based Simworx, the domed screen and motion simulator attraction features wind, water and aroma effects.
Riders climb into one of 10 Ferrari F1 race cars arrayed before a 75-foot diameter domed screen.  The backstory places riders in a Ferrari racing simulator used to train up-and-coming drivers on race tracks from any era. 
The journey starts in present-day Spain behind the wheel of a Ferrari F1 on the Circuit de Barcelona-Catalunya. Traveling back in time, the car company’s founder, Enzo Ferrari, battles up a bumpy and muddy 1919 hill-climb race in Parma, Italy. The time-traveling race continues in 1960 on the banked corners of Italy’s Autodromo Nazionale Monza, hopping over perilous hills at Germany’s Nürburgring in 1975 and ducking and weaving on the Circuit de Mónaco course in present day. Graphics-heavy computer transitions call up each new course. 
Theme park fantasy takes over near the end of the trip with a Formula 1 car speeding through several scent-centric near misses on the streets of Rome and a futuristic concept car trek on a Speed Racer-like looping course. 

Friday, June 2, 2017

FLASHBACK: Ray Harryhausen


Enjoying the start of summer, today I finally cracked open my DVD of The Beast From 20,000 Fathoms.  I love this movie and can still remember the first time I saw it - actually, it's among my earliest movie-watching memories...along with Return of the Jedi and Indiana Jones and the Temple of Doom.  It was a summer night and my family had just returned to the house at night.  Coming up from the garage, my dad and I stayed in the basement and when we turned on the TV "The Beast" had just begun.  I was instantly sucked in and stayed in the basement glued to that television set till the last minute of the movie.  It was such impactful film for me that I even referenced it and showed a clip during my initial interview/lecture at APSU.

So naturally, one of the more amazing moments I've had in my career was being able to meet Ray Harryhausen, the man responsible for animating the stop-motion Beast along with dozens and dozen of classic movie creatures.  Back in 2006 Heather's boss at the time was Craig Barron at Matte World Digital.  He was friends with Harry and hosted a night with him at the San Rafael Theater screening The 7th Voyage of Sinbad.  Joining the two of them on stage was Phil Tippet, the also-legendary stop-motion animator from ILM and owner of Tippet Studios.  It was a great night - Ray brought one of the famous and original skeletons from Jason and the Argonauts and afterwards we got to meet him and get his autograph.

That's one of the biggest advantages of living in a big city where (at least at that time) a thriving vfx/animation industry is happening.  There's many opportunities to meet people who helped shape your history to the movies.  Being able to see them in person and shake their hand really brings the movies home.  You feel part of the history.